ELOQUENCE

Asemic writing

The other day, I had to stop and listen. A young man was describing a work of art he had seen, and his words were atypical of someone his age. So much thought had gone into the words that were chosen. He paused and reflected on what he was saying and, at the same time, constructed his next sentence most beautifully and eloquently. He didn’t say a lot, but what he said was valid, vivid and perfectly articulated.

I wonder if a work of art that speaks to you in such a direct, powerful and beautiful way could be considered eloquent. No words are needed, yet the pause of space, the delivery of forms or elements and the sheer essence of the piece can speak volumes. Why do we stop and take a second look? Because we are drawn to something. A connection we don’t typically feel.

I long to represent my thoughts, my world, and my story in a unique, compelling and elegant way. With each brush stroke, placement of color or design element, I aim to connect the viewer deeper to a place where they stop and take a second look. The placement of these elements becomes my carefully chosen words. The words I cannot speak or have no capacity to say. Perhaps it’s to understand the piece further or consider the relationship between the art and the artist. This requires the piece to be interesting and beautifully spoken.

What is visible on the canvas directly integrates what the artist sees and feels. It can be a connection like no other. This visual poetry can evoke a mood that engages the viewer in a profound emotional way, firing all the senses.

Just as eloquence with words flows smoothly and with purpose, eloquence in art is masterfully composed, and each element is thoughtfully chosen to convey its intended message. It can move, inspire and leave an enduring impression on the viewer. I must confess that at times, when I speak, the words seem to choose themselves. This also applies to my art, where the elements occasionally select themselves. 
  
“Eloquence is a painting of the thoughts.” - Blaise Pascal